Seen: August 11th, 2007
Format: DVD
Rating: 9
I'm not a huge Orson Welles fan. Citizen Kane is a bit of a mystery to me, perhaps I lack perspective. But this little gem is impressive. It's said that Hitchcock took some ideas from this film.
That's a pretty good recommendation.
There's a lot of emphasis placed on the opening shot in this film due to it's length and complexity. Every bit of is deserved. It's simply magnificent, both subtle and audacious at the same time. It very effectively sets the stage for the remainder of the film.
The film is visually one of the most impressive I've seen in a while. Welles use of light, contrast and composition is brilliant. Watch for the use of shadow and shadows as well. He communicates volumes by subtle implications using shadow.
The plot is solid, though not particularly remarkable. What sets it apart is the choice of characters. Evidently there was a fairly dramatic shift in the characters after Welles was chosen to direct as well as act. Heston's character becoming Mexican was perhaps the most dramatic of these. While some complain about him playing the role, he does a remarkable job. It creates a dramatic contrast between him and Welles' character, setting up all kinds of contrasts between Mexico and the US, whites and Hispanics and all sorts of other interesting juxtapositions.
The whole thing bounces between noir, thriller, and whodunit, with some fairly disturbing undertones and scenes thrown in. There's a lot going on here, but most of it is dressing to hold up the core of the story, which is basically a morality play. The "extra stuff" does require some attention, but really doesn't detract from the story's core.
The film moves very well. Things shift locations frequently and the exposition isn't pedantic. If you want to enjoy this film you need to pay attention. But you won't be bored while doing so.
Acting here is very good. Heston is solid, but not exceptional. He tends to over-emote a bit for me. Janet Leigh is excellent. The attitude she brings to Susie is fun and dramatically underscores her ultimate vulnerability. Welles is also excellent, his demeanor and attitude are both subtly and overtly menacing. The supporting cast shines as well, particularly Marlene Dietrich.
A singular nod must also be given to Dennis Weaver, whose Night Manager is one of the more disturbing performances I've seen in a while. I have no idea who most realized this character, most probably it was a collaboration, but he's etched in my memory, and unlikely to fade.
If you can stand noir at all, check this out. It's a cutting edge piece of work.
The Good: Visually stunning
The Bad: Collateral damage
The Ugly: Psycho Night Man
No comments:
Post a Comment